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. ' Released: 30 November 2000.
' Released: 28 March 2001. ' Released: 11 June 2001. ' Released: 13 October 2001. ' Released: 10 October 2003. ' Released: 14 November 2003 Discovery is the second by French duo, released on 26 February 2001.
It marks a shift from the sound prevalent on their first studio record, (1997), to a style more heavily inspired by,. Comparing their stylistic approach to their previous album, band member described Discovery as an exploration of song structures and musical forms whereas Homework was 'raw' electronic music. He also described Discovery as a reflection of the duo's childhood memories, when they listened to music with a more playful and innocent viewpoint. The album was recorded at Bangalter's home in between 1998 and 2000. The album features extensive; few samples were from older records, while others were recorded by Daft Punk playing live instruments themselves.
Fellow electronic musicians, and collaborated on some tracks both musically and lyrically. For the album's music videos, the group developed a concept involving the merging of with the. Inspired by their childhood love for Japanese, the duo collaborated with to produce, an anime film with the entirety of Discovery as the soundtrack. The film features no dialogue, with few sound effects. In the lead-up to Discovery 's release, the duo adopted robot costumes, claiming they had become robots as a result of an accident in their studio. They also launched Daft Club, a website which featured exclusive tracks and other bonus material. Discovery was a critical and commercial success, peaking high across several charts internationally on release.
Critics praised Daft Punk for innovating the house music scene in the same manner they had done with Homework. The album spawned six singles; ' featuring Romanthony was its most successful, and became a club hit. Contents.
Background After their debut album was released, and spent most of 1997 touring on the. For the first half of 1998, the duo was focused on their own personal labels, while also working on the video collection. In 1999 and 2000, their time was split between making music for their own labels and recording Discovery. Recording Discovery was recorded in the duo's own studio, Daft House, located at Bangalter's home in Paris, France.
Daft Punk started work on the album in early 1998, and produced it over the course of two years. Bangalter and Homem-Christo made music together and separately, in a similar process to their debut album. Although they used the same equipment as they had for Homework, the duo sought to record tracks that were more concise than their previous work. For Discovery, the group used different samplers and synthesizers, including,. The track 'Short Circuit', which features a drum pattern, was previously heard in Daft Punk's 1997 live sets.
![Discovery Discovery](/uploads/1/2/5/6/125642963/192232879.jpg)
For, the group used a, and a. Production on the album also incorporated a PC with an early version of.
Every track on Discovery uses a different. The album was by Nilesh Patel, who also had mastered Homework. One of the first tracks to come out of the Discovery sessions, ', was completed in 1998 and was left 'sitting on a shelf' until its single release in 2000. After completing 'Too Long' early in the album's production, Daft Punk decided that they 'didn't want to do 14 more house tracks' in the way the genre is usually defined, and thus set out to incorporate a variety of styles for the record. The album features musical contributions from,. Romanthony and Edwards were some of the producers that had the most influence on Daft Punk.
The duo had wanted to work with them on Homework, but found it difficult to convince them to do so since they were still relatively unknown. DJ Sneak wrote the lyrics to 'Digital Love' and assisted in the song's production. Music Theme Discovery is recognized as a. It relates strongly to Daft Punk's childhood memories, incorporating their love of cinema and character. Specified that the album deals with the duo's experiences growing up in the decade between 1975 and 1985, rather than it just being a tribute to the music of that period.
The record was designed to reflect a playful, honest and open-minded attitude toward listening to music. Bangalter compared it to the state of childhood when one does not judge or analyze music. Bangalter noted the stylistic approach of the album was in contrast to that of their previous effort. ' Homework.
was a way to say to the rock kids, like, 'Electronic music is cool'. Discovery was the opposite, of saying to the electronic kids, 'Rock is cool, you know? You can like that.' ' He elaborated that Homework had been 'a rough and raw thing' focused on sound production and texture, whereas the goal with Discovery was to explore song structures and new musical forms.
This change in sound was inspired by 's '. Composition Discovery is a departure from Daft Punk's previous sound. In his review for, John Bush wrote that Discovery is 'definitely the edition' of Homework.
![Daft punk discovery album cover Daft punk discovery album cover](http://bp0.blogger.com/_F5WCLN5YZJY/Ro2BvbYI5JI/AAAAAAAAAJo/5wc9GrHhGfQ/s400/Daft+Punk+-+The+New+Wave.jpg)
He added that Daft Punk produced a 'glammier, poppier' sound of and by over embellishing their pitch-bend, and vocoder effects, including loops of, and electric piano. 's Keith Gwillim asserted that it is a album that draws on the genre's 'danceable' and 'sappy' elements, including its processed vocals and 'prefabricated' guitar solos. Other critics also described the album as. Retrospectively, said the album also incorporates. The album's opening track, ', features heavily and vocals from.
The next track, ', has a funk groove, halt for an electric guitar solo, and ending with a separate 'spacier' electronic segment. This solo, which contains guitar, was compared to. ' contains a solo performed by the duo using a, vintage and; it incorporates elements of, and disco.
', the fourth track on the album is an -leaning song. It is followed by 'Crescendolls', an instrumental. 'Nightvision' is an track. 'Superheroes' leans toward the ' ' of Homework.
'High Life' is built over a 'gibberish' vocal sample, and contains an organ-like section. ' is a song, with digitally processed vocals by Daft Punk and rhythms. 'Voyager' has guitar, harp-like 80s synths, and a funky bassline. 'Veridis Quo' is a 'faux-orchestral' synthesizer song; according to Angus Harrison, its title is a pun on the words 'very disco'. 'Short Circuit' is an electro-R&B song with and programmed drum patterns. ' is a song featuring vocals from, and is more pop-oriented than the other tracks on Discovery. In the context of the album, Bangalter noted that the preceding track 'Short Circuit' represented the act of shutting down, and 'Face to Face' represents the consciousness of reality.
'Too Long', the album's closer, is a ten-minute-long electro-R&B song. Samples A significant amount of is present on the album. Rather than creating new music using only the samples, Daft Punk worked with them by writing and performing additional parts. The Discovery liner notes specify permitted use of samples for four tracks on the album: Part of 's 'I Love You More' is featured in 'Digital Love'; 's 'Cola Bottle Baby' was sampled for 'Harder, Better, Faster, Stronger'; ' song 'Can You Imagine' is used for 'Crescendolls'; 's 'Who's Been Sleeping in My Bed' is credited for 'Superheroes'.
It is believed that 'One More Time' contains a sample of Eddie Johns’ song 'More Spell on You', which was reported to be officially cleared despite it being uncredited in the Discovery liner notes. Several websites list many other samples present on the album, but Bangalter has stated that half of the samples he had seen listed are not true. He also stated the sampling they do is legitimately done, not something they try to hide. Bangalter elaborated that the newly recorded elements were implemented in a way that was equivalent to 'creating fake samples. where people think there are samples from disco records or funk records.' Estimated that half of the sampled material on Discovery was played live and re-recorded by the duo, and emphasized that the resulting quality of the music was more important than the ego of who played which instruments.
Promotion and release. See also: The ideas for the album's music videos formed during the early Discovery recording sessions. Daft Punk's concept for the film involved the merging of science fiction with culture. The duo recalled watching Japanese as children, including favorites such as,. All three brought the album and the completed story to Tokyo in the hope of creating the film with their childhood hero, who had created Captain Harlock.
After Matsumoto joined the team as visual supervisor, Shinji Shimizu had been contacted to produce the animation and Kazuhisa Takenouchi to direct the film. With the translation coordination of Tamiyuki 'Spike' Sugiyama, production began in October 2000 and ended in April 2003.
The result of the collaboration was an anime film featuring the entirety of Discovery as the soundtrack. Daft Punk adopted robot costumes in the lead up to Discovery 's release. The group told to press they were working in their studio at 9:09 am on 9 September 1999, when their sampler exploded. They had to undergo reconstructive surgery, and, regaining consciousness, they realized they had become robots. Shortly before the album's release, the group launched Daft Club, a website which offered exclusive tracks and other bonus material.
Every Discovery CD included a Daft Club membership card bearing a unique number that provided personalized access to the website. Bangalter said this was 'our way of rewarding people who buy the CD'. The service provided by the site ended in 2003; most of the tracks were then compiled into the remix album. Reception Professional ratings Aggregate scores Source Rating 74/100 Review scores Source Rating B 9/10 6.4/10 8/10 C+ Discovery received generally positive reviews from critics. At, which assigns a rating out of 100 to reviews from mainstream publications, the album received an score of 74, based on 19 reviews. 's John Bush said that, with their comprehensive productions and of manifold elements, Daft Punk developed a sound that was 'worthy of bygone electro-pop technicians from to to.' Magazine wrote that the album was vigorous and innovative in its exploration of 'old questions and spent ideals', hailing it as 'a towering, persuasive tour de force' that 'transcends the dance label' with no shortage of ideas, humor, or 'brilliance'., writing in, dubbed Discovery disco's 'latest triumph' and said although it 'flags a bit' before the end, the opening stretch of songs was on-par with albums such as (1987) by and 's (1991).
Stephen Dalton from found the record's ideas enthralling and credited Daft Punk for 're-inventing the mid-'80s as the coolest pop era ever.' In, wrote that the 'beat editing and wizardry' still excite after Homework, despite the newly imbued sense of humor. Called it 'the perfect non-pop pop album' and said Daft Punk had 'altered the course of dance music for the second time'. Ben Ratliff from was less impressed and wrote that few songs on Discovery were on-par with the grandiosity of 'One More Time'. He found most of them 'muddled - not only in the spectrum between serious and jokey but in its sense of an identity.'
In, felt Daft Punk's attempt to 'salvage' older musical references resembled Homework, but was less coherent and successful. Critic Ryan Schreiber found their 'prog and disco' hybrid 'relatively harmless' and claimed that it was not 'meant to be judged on its lyrics', which he dismissed as amateurish and commonplace., writing in, facetiously said the album may appeal to young enthusiasts of and computing, but it was too 'French' and ' ' for American tastes. In a retrospective review for (2004), gave Discovery three-and-a-half stars and wrote that 'the more Daft Punk dumb the album down, the funkier it gets' with an emphasis on hooks over songs. Listed Discovery as one of the best 50 albums of 2001.
The album was later ranked number 12 on 's Top 100 Albums of 2000–04 and number three on their Top 200 Albums of the 2000s. In 2009, placed the album at number twelve on its 100 Best Albums of the Decade list. It was also named the fourth best album of the decade. In 2012, included Discovery at number eight on their list of The 30 Greatest EDM Albums of All Time. The album also was included on 's Masterpieces in December 2009 presented by, highlighting the increased reception of the album over the decade. Commercial performance The album peaked at number two in the United Kingdom and France, and number twenty-three in the United States.
The album was certified triple platinum in France (in 2007) for shipments denoting 600,000 copies. As a result of sales, Discovery was by the (RIAA) on 11 October 2010.
As of May 2013, the album has sold 802,000 copies in the US. The album's lead single ' was its most successful, peaking at number one on the French charts and the Billboard charts, and peaked within the top ten on seven other charts. It remained the group's most successful single until the release of ' in 2013. The album's fifth single, ', reached number one on the Billboard chart in 2004. Discovery has sold at least 2.6 million copies as of 2005.
Legacy Several songs from the album would later be sampled by other artists. 's song ' from the album features a vocal sample of 'Harder, Better, Faster, Stronger'. A live performance of 'Stronger' was featured at the 2008 Grammy Awards, with Daft Punk performing in their trademark pyramid structure while Kanye West was on stage rapping. 's song ' from the album features a sample of 'Aerodynamic'. 's song ' from the album features a sample of 'Veridis Quo'.
Track listing All tracks written by and, except where noted. Title Writer(s) Length 1. ' (featuring ).